Thursday, August 23, 2012

Good Story 041: O Brother Where Art Thou?

Julie and Scott learn much from Ulysses Everett McGill in the Coen brothers' O Brother, Where Art Thou?. You can't display a toad in some fine restaurants. What it means to be "bona-fide". And what the devil looks like when you meat him at the crossroads. And what does this movie have to do with The Odyssey?

Download or listen via this link: |Episode #041|

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Thursday, August 9, 2012

Good Story 040: The Stand


Fahrenheit 451 by Ray Bradbury


Episode #40 - It's the end of the world again, this time due to a plague. Julie and Scott discuss The Stand by Stephen King. Bumpity bump!

Download or listen via this link: |Episode #040|

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More stuff:
  • The C.S. Lewis quote from On Stories:
    Another very large class of stories turns on fulfilled prophecies--the story of Oedipus, or The Man Who Would Be King, or The Hobbit. In most of them the ver steps taken to prevent the fulfillment of the prophecy actually bring it about. It is foretold that Oedipus will kill his father and marry his mother. In order to prevent this from happening he is exposed on mountain: and that exposure, by leading to his rescue and thus to his life among strangers in ignorance of his real parentage, renders possible both the disasters. Such stories produce (at least in me) a feeling of awe, coupled with a certain sort of bewilderment such as one often feels in looking at a complex pattern of lines that pass over and under one another. One sees, yet does not quite see, the regularity. And is there not good occasion for both awe and bewilderment? We have just had set before our imagination something that has always baffled the intellect: we have seen how destiny and free will can be combined, even how free will is the modus operandi of destiny. The story does what no theorem can quite do. It may not be "like real life" in the superficial sense: but it sets before us an image of what reality may well be like at some more central region.
  • Brandywine Books
  • Inspiration for The Stand